Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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VASARI, Giorgio
Portrait of Lorenzo the Magnificent wr

ID: 09438

VASARI, Giorgio Portrait of Lorenzo the Magnificent wr
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VASARI, Giorgio Portrait of Lorenzo the Magnificent wr


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VASARI, Giorgio

Italian Mannerist Writer and Painter, 1511-1574 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.   Related Paintings of VASARI, Giorgio :. | The festival meal in Ester | The Nativity wt | The Prophet Elisha er | Portrait of Lorenzo the Magnificent wr | The Annunciation (mk05) |
Related Artists:
Hendrick Terbrugghen
1588-1629 Dutch Hendrick Terbrugghen Galleries Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox, but significant influence on the work of Johannes Vermeer and others is a relatively recent, 20th-century phenomenon.
Alexandre Seon
French Symbolist Painter, 1855-1917 was a French Symbolist artist, illustrator and decorator. Seon studied at the Beaux-Arts of Lyon and Paris, becoming a student of Puvis de Chavannes in 1891, with whom he later collaborated. He was closely associated with Josephin Peladan and his Salon de la Rose-Croix, and designed the frontispiece for Peladan's 1891 novel l'Androgyne
Theodore Frere
French Painter, 1814-1888






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